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Author's Note
This is a work of history in fictional form—that is, in personal perspective, which is the only kind of history that exists. In the years 1962-1967 I taught English at the University of Detroit, which is a school run by Jesuits and attended by several thousand students, many of them commuting students. It was during this period that I met the "Maureen Wendall" of this narrative. She had been a student of mine in a night course, and a few years later she wrote to me and we became acquainted. Her various problems and complexities overwhelmed me, and I became aware of her life story, her life as the possibility for a story, perhaps drawn to her by certain similarities between her and me—as she remarks in one of her letters. My initial feeling about her life was, "This must be fiction, this can't all be real!" My more permanent feeling was, "This is the only kind of fiction that is real." And so the novel them, which is truly about a specific "them" and not just a literary technique of pointing to us all, is based mainly upon Maureen's numerous recollections. Her remarks, where possible, have been incorporated into the narrative verbatim, and it is to her terrible obsession with her personal history that I owe the voluminous details of this novel. For Maureen, this "confession" had the effect of a kind of psychological therapy, of probably temporary benefit; for me, as a witness, so much material had the effect of temporarily block-