The Modigliani Scandal [antikvár]

INTRODUCTION In a modern thriller the hero generally saves the world. Traditional adventure stories are more modest: The central character merely saves his own life, and perhaps the life of a faithful friend or a plucky girl. In less sensational novels—the middlebrow, well-told narratives that have been the staple diet of readers for more than a century— there is less at stake, but still a character's efforts, struggles and choices determine his destiny in a dramatic fashion. I don't actually believe that life is like that. In reality, circumstances quite beyond our control usually determine whether we live or die, become happy or miserable, strike it rich or lose everything. For example: Most rich people inherit their money. Most well-fed people simply had the luck to be born in an affluent country. Most happy people were born into loving families, and most miserable people had crazy parents. I'm not a fatalist, nor do I believe that everything m life is blind chance. We do not control our lives the way a chess player controls his pieces, but life is not roulette either. As usual, the truth is complicated. Mechanisms beyond our control—and sometimes beyond our understanding—determine a person's fate, yet the choices i ^