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INTRODUCTION
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ON Project Runway, I enter the workroom and offer my thoughts—as a mentor, not a judge—on the designers' work. The advice I give most often is to "make it work."
That's not just a catchphrase. It's a philosophy I've followed my whole life, and 1 credit it with all the wonderful and surprising success I've had as a TV personality, teacher, and writer. What "make it work" means is that you should use what you have on hand to transform your situation. It's always possible to use whatever tools you have at your disposal to create something that you're proud of and that gets the job done.
Far too often in classes I've taught I've seen students throw out a lot of hard work and start again from scratch. They may wind up with a good garment, but they aren't learning the skills that are essential to excelling in a creative field: patience, innovation, and diligence.
I love to see students trying to learn as they go along. The designers and artists 1 admire spend their whole lives learning. Everything they make may not be a commercial success, but every bit of effort they make gets them closer to realizing their vision.
One of the things 1 admire about Project Runway is that it's really about developing creative design work. I'll never forget